[مقالة]
| عنوان : |
Midnight in the Garden of Good and Evil : parcours et détours du Sud |
| نوع الوثيقة : |
نص مطبوع |
| مؤلفين : |
Liénard, Marie, مؤلف |
| تاريخ النشر : |
2009 |
| مقالة في الصفحة: |
P37- P53 |
| اللغة : |
إنكليزي (eng) |
| الكلمة المفتاح : |
Clint Eastwood , John Berendt , Midnight in the Garden of Good and Evil , Savannah , gothic , grotesque , American South , representation , filmic adaptation |
| خلاصة : |
The article focuses on the way the same factual reality (the city of Savannah, its inhabitants, a famous murder trial) is dealt with in Midnight in The Garden of Good and Evil, the book by John Berendt and the movie by Clint Eastwood. The two works present different points of view on the American South while creating different Souths; the movie 'Southernizes'? Berendt's approach to Savannah and its world, in particular through the use of Gothic and grotesque elements. Therefore, 'Midnight the movie'? (as Eastwood puts it) should be seen as more than a filmic adaptation of a book, and engages in what Richard Gray calls the 'process of writing the South'?. |
in Revue française d'étude américaines > 120 (Trimestrielle) . - P37- P53
[مقالة] Midnight in the Garden of Good and Evil : parcours et détours du Sud [نص مطبوع ] / Liénard, Marie, مؤلف . - 2009 . - P37- P53. اللغة : إنكليزي ( eng) in Revue française d'étude américaines > 120 (Trimestrielle) . - P37- P53
| الكلمة المفتاح : |
Clint Eastwood , John Berendt , Midnight in the Garden of Good and Evil , Savannah , gothic , grotesque , American South , representation , filmic adaptation |
| خلاصة : |
The article focuses on the way the same factual reality (the city of Savannah, its inhabitants, a famous murder trial) is dealt with in Midnight in The Garden of Good and Evil, the book by John Berendt and the movie by Clint Eastwood. The two works present different points of view on the American South while creating different Souths; the movie 'Southernizes'? Berendt's approach to Savannah and its world, in particular through the use of Gothic and grotesque elements. Therefore, 'Midnight the movie'? (as Eastwood puts it) should be seen as more than a filmic adaptation of a book, and engages in what Richard Gray calls the 'process of writing the South'?. |
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Affiner la rechercheMidnight in the Garden of Good and Evil : parcours et détours du Sud in Revue française d'étude américaines, 120 (Trimestrielle)
