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781 : Music rules |
مؤلفات المكتبة في التكشيف 781 (2)
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عنوان : Music as multimodal discourse : semiotics, power and protest نوع الوثيقة : نص مطبوع مؤلفين : Way, Lyndon C. S., مؤلف ; McKerrell, Simon, مؤلف ناشر : London : Bloomsbury academic تاريخ النشر : 2017 مجموعة : Bloomsbury advances in semiotics عدد الصفحات : 229 p. Ill. : couv.ill. الأبعاد : 23 cm. ISBN/ISSN/EAN : 978-1-350-07986-1 ثمن : 7305.00 DA. اللغة : إنكليزي (eng) ترتيب : [Livres, Books] 700 - Arts - Beaux arts - Arts decoratifs الكلمة المفتاح : Music,Political aspects تكشيف : 781 Music rules خلاصة : We communicate multimodally. Everyday communication involves not only words, but gestures, images, videos, sounds and of course, music. Music has traditionally been viewed as a separate object that we can isolate, discuss, perform and listen to. However, much of music's power lies in its use as multimodal communication. It is not just lyrics which lend songs their meaning, but images and musical sounds as well. This book considers musical sound as multimodal communication, examining the interacting meaning potential of sonic aspects such as rhythm, instrumentation, pitch, tonality, melody and their interrelationships with text, image and other modes. This draws upon and extends the conceptual territory occupied by social semiotics. In so doing, this book brings together research from scholars to explore questions around how we communicate through musical discourse, and in the discourses of music. Methods in this collection are drawn from critical discourse analysis, social semiotics and music studies to expose both the function and semiotic potential of the various modes used in songs and other musical texts. Music as multimodal discourse : semiotics, power and protest [نص مطبوع ] / Way, Lyndon C. S., مؤلف ; McKerrell, Simon, مؤلف . - London : Bloomsbury academic, 2017 . - 229 p. : couv.ill. ; 23 cm.. - (Bloomsbury advances in semiotics) .
ISBN : 978-1-350-07986-1 : 7305.00 DA.
اللغة : إنكليزي (eng)
ترتيب : [Livres, Books] 700 - Arts - Beaux arts - Arts decoratifs الكلمة المفتاح : Music,Political aspects تكشيف : 781 Music rules خلاصة : We communicate multimodally. Everyday communication involves not only words, but gestures, images, videos, sounds and of course, music. Music has traditionally been viewed as a separate object that we can isolate, discuss, perform and listen to. However, much of music's power lies in its use as multimodal communication. It is not just lyrics which lend songs their meaning, but images and musical sounds as well. This book considers musical sound as multimodal communication, examining the interacting meaning potential of sonic aspects such as rhythm, instrumentation, pitch, tonality, melody and their interrelationships with text, image and other modes. This draws upon and extends the conceptual territory occupied by social semiotics. In so doing, this book brings together research from scholars to explore questions around how we communicate through musical discourse, and in the discourses of music. Methods in this collection are drawn from critical discourse analysis, social semiotics and music studies to expose both the function and semiotic potential of the various modes used in songs and other musical texts. نسخ(2)
Call number Media type Location وضع 781/8/3 Livre Bibliothèque centrale جاهز 781/8/3 Livre salle de lecture مستتنى من الاعارة
عنوان : Post-Punk, politics and pleasure in Britain نوع الوثيقة : نص مطبوع مؤلفين : David Wilkinson (19..-....), مؤلف ناشر : London : Palgrave Macmillan تاريخ النشر : 2018 مجموعة : Palgrave studies in the history of subcultures and popular music عدد الصفحات : 1 vol. (XI-228 p.) Ill. : couv.ill. الأبعاد : 21 cm. ISBN/ISSN/EAN : 978-1-349-69807-3 ثمن : 5793.00 DA. نقطة عامة : Bibliogr. p. 205-220 اللغة : إنكليزي (eng) ترتيب : [Livres, Books] 700 - Arts - Beaux arts - Arts decoratifs الكلمة المفتاح : Post-punk music,Great Britain تكشيف : 781 Music rules خلاصة : As the Sex Pistols were breaking up, Britain was entering a new era. Punk s filth and fury had burned brightly and briefly; soon a new underground offered a more sustained and constructive challenge. As future-focused, independently released singles appeared in the wake of the Sex Pistols, there were high hopes in magazines like NME and the DIY fanzine media spawned by punk. Post-Punk, Politics and Pleasure in Britain explores how post-punk s politics developed into the 1980s. Illustrating that the movement s monochrome gloom was illuminated by residual flickers of countercultural utopianism, it situates post-punk in the ideological crossfire of a key political struggle of the era: a battle over pleasure and freedom between emerging Thatcherism and libertarian, feminist and countercultural movements dating back to the post-war New Left. Case studies on bands including Gang of Four, The Fall and the Slits and labels like Rough Trade move sensitively between close reading, historical context and analysis of who made post-punk and how it was produced and mediated. The book examines, too, how the struggles of post-punk resonate down to the present." Post-Punk, politics and pleasure in Britain [نص مطبوع ] / David Wilkinson (19..-....), مؤلف . - London : Palgrave Macmillan, 2018 . - 1 vol. (XI-228 p.) : couv.ill. ; 21 cm.. - (Palgrave studies in the history of subcultures and popular music) .
ISBN : 978-1-349-69807-3 : 5793.00 DA.
Bibliogr. p. 205-220
اللغة : إنكليزي (eng)
ترتيب : [Livres, Books] 700 - Arts - Beaux arts - Arts decoratifs الكلمة المفتاح : Post-punk music,Great Britain تكشيف : 781 Music rules خلاصة : As the Sex Pistols were breaking up, Britain was entering a new era. Punk s filth and fury had burned brightly and briefly; soon a new underground offered a more sustained and constructive challenge. As future-focused, independently released singles appeared in the wake of the Sex Pistols, there were high hopes in magazines like NME and the DIY fanzine media spawned by punk. Post-Punk, Politics and Pleasure in Britain explores how post-punk s politics developed into the 1980s. Illustrating that the movement s monochrome gloom was illuminated by residual flickers of countercultural utopianism, it situates post-punk in the ideological crossfire of a key political struggle of the era: a battle over pleasure and freedom between emerging Thatcherism and libertarian, feminist and countercultural movements dating back to the post-war New Left. Case studies on bands including Gang of Four, The Fall and the Slits and labels like Rough Trade move sensitively between close reading, historical context and analysis of who made post-punk and how it was produced and mediated. The book examines, too, how the struggles of post-punk resonate down to the present." نسخ(2)
Call number Media type Location وضع 781/8/4 Livre Bibliothèque centrale جاهز 781/8/4 Livre salle de lecture مستتنى من الاعارة
